Remembering 100% Written

I have just finished writing 100% of Remembering. I finished up the the keyboard parts earlier today. I somewhat tweaked one or two bars of the guitar parts, but only the speed of arpeggiated chords. After getting home tonight I pulled up what I had already came up with of the vocal lines, and started experimenting. I finally came up with something that I liked after a while.

I’ve also posted an exported GP6 demo of the song on our audio page in the media section. It’s been brought to my attention that the audio no longer works if using Google Chrome so do your self a favor and get Firefox. In my opinion it’s by far the best browser out there anyway.

Anyway, I’m gonna take the rest of the night off, and enjoy some video games.

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Remembering & More

Let me start off with what’s been going on. Due to the studio computer going down we had to add all of our musical notation archives back to the computer.  However, we decided to try to simplify things with a better file structure. We had to move of files over to the Blissful Misery area anyway so we decided to go on and do this update now. The restructure took us two days, and synchronizing the files between our studio desktop, laptop, and backup flash drive took another two days.

We really had a lot of files. We deleted probably about 1,000 to 2,000 duplicate and out of date files already, but we decided to go on and get the file structure setup instead of continuing to delete files.  Every day now we are going to go weed through at least one directory in attempts to reduce our archive from around 35,000 files to something more easily managed.  Yes, I did say 35,000 files, but anyway on to the other parts of our update. UPDATE: I was wrong that’s 40,000 files!

One of the main reasons we wanted to do a restructure and file weeding is we upgraded to Guitar Pro 6 for our Notation Software.  While I have very mixed feelings on the program, it was the best thing to do.  After testing out things and learning the new format I am very confident our backing tracks will sound amazing and fit perfectly with our music and tones.

However, there are a few very shitty updates that took the program backwards from GP5, but overall there’s only one thing I really hate about the program.  In GP5 you could switch instruments via instrument mixer right in the middle of a track. So writing or playing along with a song was extremely easy to do as you didn’t have to watch different tracks in the middle of a song.  Now in GP6 you have to put new instruments on a different track.

For anyone lost… When a guitarist playing an electric guitar through an amp wants to switch sounds they step on a box to change from clean to distortion or cut on different effects. It’s still only one guitarist, but the program now acts like you have a different guitarist for every single change other than pickup position basically. This was a very stupid decision on the GP company’s part.

Anyway, let me stop rambling about that. Due to this new format in GP6 we have to take every single one of our songs and tweak every thing about it to get it to work right.  I don’t mind as I love playing with the editor, and working on music all the time.  We have decided to go on and convert what we have of the main originals and covers that we are playing as they are. However, as we come to songs we are looking at them, and figuring out our grand plan for them.  That takes us to… Remembering…

I just happened to pull up Remembering as the first song to convert. I was trying to think of something with more than one tone for a single guitar so I could get the hang of doing the conversions.  While doing the conversion, and tweaking the hell out of the score, I just had string ensembles playing in my head. I know that I don’t want anything overpowering at all in this song, but I’ve find some keys / synth string parts that I’m loving.  For now the keys are following along just adding a little extra padding to the acoustic guitar track, which really really sets it up nicely.  I will definitely be doing an acoustic and strings version without the clean, second, guitar part.

I am also going to be throwing in some vocal melody ideas as I progress through the song.  I already have pre-existing melodies for the first verse and chorus, so it shouldn’t take much to finish them up.

Woah.. Anyway, I’ve been on here writing for almost 30 minutes now.  I need to get back to writing. I’m going to be trying to do shorter updates at a faster pace from now on. Trying to tell about 4 or 5 days worth of stuff really makes me long winded.

\m/ Keep it Metal!

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Re-Introduction Practice

Howdy there folks.
Friday morning we had a bitch of a virus pop up on the studio computer. We had just eradicated another one about a week before, and we have no idea where either of them came from. Since the computers performance has been bad for a while, we decided to just go ahead and start completely over with it.

I just got everything installed back onto it yesterday, so today it was time for some testing practice style. This morning I pulled out the trusty ole’ silver EC, and started weeding through some OLD stuff. I said to myself “hell man I’m gonna play some of this old shit just for fun.” Boom! Tons of fun and memories came flooding out.

The set consisted of:

  • Cold
  • Dark Soul
  • Born Into Christianity
  • The Link
  • Lunacy
  • The Start
  • Waiting (Reaper)
  • Tired Of This
  • Cycle Of Sins

Like I said old shit, but damn it was fun.  I ended that practice with Cycle Of Sins, which is a huge grooving song.  I admit I omitted several parts, mostly solos, because I just didn’t remember anything about how they went.  It was still great to jam along with those backing tracks.

Of course you know this means something.  I’m going to get busy and write some vocal melodies for Jessica for all of those songs plus The Madness and Remembering.  I have a lot ahead of me, but I’m back to getting that amazing feeling when I write something.  I can’t ignore that. 

With the exception of a very few, every song we have is considered to be in a rewrite or additional writing stage. When the songs are complete enough we will try to do videos of them. I usually rush videos out, because I get so damn excited about playing the song for some reason.  I wish just once I could capture a video of how I really play. Videoing things just make it so weird for me. 

We may have yet another practice later today, but I’m not sure yet. If we do you know I will post about it.

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The MADNESSSSSSSS

I was told it couldn’t be done. I was told I wrote stuff too hard to play. Ha! I was told it was loved, and it’s been requested for years. The Madness guitar video is here!

So this morning I get up early early, and paint my 2nd tier for my pedal board. I let it dry for about 2 hours. While I was letting it dry I looked up some Avenged Sevenfold stuff that Jessica is wanting me to learn for as covers. I couldn’t wait the full 4 it said to wait on the paint can. I threw some paper down on the table, cut on some music, and started laying down the velcro top.

Boom my hard drive with all the music I listen to while I work died on me. Pissed me off. Tried running test on it while I finished up laying the velcro. What should of only taken me an hour tops took 3 hours, because of the damn hard drive going out. However, I finished laying the velcro about noon, and fixed the velcro fasteners to the feet of the tier, so it would be removable too.

I got my wires in place and placed it down with great ease. Ah shit! it was rocking I thought I had miscalculated something. I went on and put the pedals on and hooked them up, and then decided to try placing the power supply in a different place. Well look at that! The damn ethernet cable from my PODxt Pro was under the middle leg right in the center. I worked the cable out from under the leg and BOOM! it worked and set perfect! Damn I love this thing!

Ethernet cable? you ask. Yes, Line 6 uses ethernet cables to hook foot boards to their heads, racks, and other devices. Look up Gibson Magic for more very interesting ehternet cable madness. Using a “Magic” guitar you can go as far as to amp up, effect, record, or do anything you want with each individual string! As the saying goes “That is some shit right there!”

So since around noon I’ve been playing guitar, and having band practice by myself. Jessica isn’t feeling too well today. So I mainly played around and re-tweaked my pedals since I had hit knobs during the modifications. I also rearranged the order I placed my pedals in, and it actually worked out great this way.

Finally I got around to song practice.  I pulled up some backing tracks in guitar pro and the set was…

  1. So Cold (x2)
  2. The Demon Within
  3. Carnival Of Horror
  4. The Madness (x2) : Re-Write
  5. The Madness (x8)

After playing around with The Madness twice I decided to finish up re-writing the solo. Once I finally got that done an hour later I decided to try slowing the fastest parts from 160 to 140, and much to my amazement both Jessica and I loved it slower.  After the new version was finished I practiced getting the new timing down better. I finally got it right around take 6.  The video we recorded is take 8. 

Unfortunately my amp had made it close to 100 degrees in here, and my fingers couldn’t take anymore today.  So I’m out for the day. Hopefully it’ll be cool enough to do something else tomorrow. 

See ya!

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Customizing!

Unfortunately it’s just too damn hot today to have band practice. It’s an extra hot 90 degrees in the studio right now, and feels like it’s at least 100.  Instead of practicing I’m going to take some time to fix up my pedal board. 

I’m experimenting with two different ideas for adding a second tier to my pedal board  so i can access my back row of pedals over my huge line 6 controller board.  I love the thing, but I can’t turn anything else, but my wah and tuner on. I’m going to experiment with some other setups as well when I pick out the best option for the second tier, but I think I got it pretty much the best way I can get it. 

Oh well off to work some more on it!

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